All-new reissue of the critically acclaimed and long-out-of-print 2009 debut solo album from The Black Keys singer and guitarist Dan Auerbach. An intimate and underrated affair with shades of greazy rock & roll, blue-eyed soul, and bluegrass hollers. Reissued with new artwork and pressed from the original master.

Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. This understanding was reinforced when, just 3 days after the album's release, NPR Music published a Tiny Desk Concert where Miller and band performed album cuts "Small Worlds," "What's The Use?" featuring regular collaborator Thundercat and "2009" with a full band. The now-iconic performance remains one of the highest streamed performances in the history of NPR's Tiny Desk Concert series and is now available on vinyl for the first time.

NPR Music Tiny Desk Concert vinyl, featuring the live recording of the 2018 performance from NPR Headquarters in Washington, D.C.

Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. The album has stood the test of time as one of his greatest musical statements and is available as a 2-disc vinyl box set that includes milky clear/hot pink/sky blue marble LPs in custom clear printed sleeves, eight 12” x 12” lyric cards, one 24” x 24” silver print poster printed on Lumina Platinum colored paper all house in a tri-fold jacket and packaged in a double-walled slipcase with rainbow foil and embossed detail in celebration of the album's 5 year anniversary.

The Steel Woods, the renowned Southern rock band, have captivated audiences with their powerful sound and heartfelt lyrics over their past three albums. With their fourth album, On Your Own Time, they embark on a poignant and emotional journey loosely following the trajectory of Uncle Lloyd, a charming but dissolute character first introduced on the Woods' debut album, 2017’s Straw in the Wind. This ambitious album not only showcases their musical evolution and episodic storytelling abilities but also serves as a tribute to the vision and legacy of their late co-founder, Jason "Rowdy" Cope, who passed away just before the release of their third album, All of Your Stones. Led by Wes Bayliss, the band's guitarist, lead vocalist and co-founder, The Steel Woods have poured their heart and soul into this album, creating a record that reflects their resilience, growth, and unwavering spirit.

Darius Rucker will be releasing his 6th Country Studio album- Carolyn’s Boy which will feature 14 songs including #1 song- “Beers and Sunshine” and his latest hit single- “Fire’s Don’t Start Themselves.” The album title is named after his mother. Rucker embarked on a successful solo career, applying his versatile baritone to acclaimed R&B and country efforts like the platinum-selling Learn to Live (2008) and True Believers (2013), and 2023's Carolyn’s Boy, which featured the hit single "Beers and Sunshine."

Standard: Recorded in Los Angeles in less than two months with a close-knit group of producers, HELLBOY became Lil Peep’s breakthrough mixtape upon its initial release on September 25, 2016. He was just nineteen-years-old. HELLBOY made waves in underground circles for its gritty vocals and sampling of classic guitar riffs, and remains a fan favorite seven years later.

“We know Gus would love to see Hellboy released so beautifully on vinyl for his fans.” - Lil Peep’s mother, Liza Womack. This is a double LP, gatefold packaging, featured on cloudy red vinyl. 45RPM, and includes a HELLBOY sticker.

Over the course of his career, Sufjan Stevens has blurred distinctions between the major and the minor, between the details that color our existence and the big events that frame our lives. He has turned historical footnotes of States into kaleidoscopic pop, and rendered the immeasurable grief of loss with intimacy and grace.

His new album Javelin—Sufjan’s first solo album of songs since 2020’s The Ascension and his first in full solo singer-songwriter mode since 2015’s Carrie & Lowell—bridges all these approaches. Sufjan uses the quietness of a solitary confession to ask universal questions in songs we can share communally. Accompanying the CD and LP formats of the album is a 48-page book of art and essays. With a series of meticulous collages, cut-up catalog fantasies, puff-paint word clouds, and iterative color fields, Sufjan builds order from seeming chaos and vice versa. And toward the middle of it all are 10 short essays by Sufjan, another window into the process that informed Javelin.

Split-coloured vinyl & printed lyrics. "Run the Jewels - Hip-hop's preeminent collaboration between veteran rhyme-slayers El-P and Killer Mike have gone from a whim-driven underground rap project to a worldwide sensation since the release of their 2013 debut Run The Jewels. Mixing the industrial grime of New York City with the vibrant bounce of the dirty South, they forge hip-hop's future while adhering to the core tenets of it's bedrock: gymnastic displays of skills, incendiary political rhetoric, merciless braggadocio, battle-honed assholery, R-rated punchlines and a back-and-forth that brings the interplay of the shell-toe Adidas era screaming into our contemporary nightmare.Tearing up the music industry rulebook, their self-titled 2013 debut was originally released through a series of website-crashing free album downloads. Featuring Outkast's Big Boi on Banana Clipper and Prince Paul on Twin Hype Back, it's a "rough and rabid ride"; a "swaggering victory lap for two artists at the peak of their creativity"; and been dubbed "one of the best hip-hop records of 2013"." Now available in a special 10th anniversary edition with the original and instrumental album, packaged in a double gatefold sleeve with split-coloured vinyl.

Originally released in 1992 on Island Records, Bone Machine is Tom Waits’ 11^th studio album. 5 years after Franks Wild Years, Bone Machine is a return to studio albums for Tom Waits. The album features David Hidalgo, Les Claypool, Brain and Keith Richards and won a GRAMMY for Best Alternative Music Album.

Bone Machine is rather pointedly otherworldly… another edge pusher – his most poetically and sonically daring work yet. Writing again with his longtime collaborator and wife, Kathleen Brennan, Waits acknowledges writing ‘darker’ material saying “A great many songs live there, so that’s where I’ve been digging lately.”

Waits calls the songs on Bone Machine “little movies for the ears.” He sometimes wrote them entirely from a percussion pattern—which he played on array of largely homemade instruments. One, the “conundrum,” was rusted pieces of farm equipment hung from a large iron crucifix. As Waits explained at the time, “I have a lot of very strong rhythmic impulses, but this is not my world. I just pick something up and I hit it, and if I like the sound, it goes on. Sometimes my idiot approach serves the music.”

Mortality is a recurrent theme, from “Dirt In The Ground” (“We’re all gonna be. . .”) to “All Stripped Down,” “The Ocean Doesn’t Want Me” (a tale of contemplated suicide), “Jesus Gonna Be Here,” the rambunctious paean to childhood, “I Don’t Wanna Grow Up,” and certainly the broken-hearted, confessional classic Waits ballad, “Whistle Down The Wind.” Waits explained at the time: “Yeah, ultimately, it will be a subject that you deal with. Some deal with it earlier than others, but it will be dealt with. Eventually we’ll all have to line up and kiss the devil’s arse.” Yet the album actually ends upliftingly, with “That Feel” co-written with Keith Richards.

Newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Bone Machine includes tracks such as “Goin’ Out West,” “I Don’t Wanna Grow Up” and “Jesus Gonna Be Here.” Available on 180g black vinyl.

2023 Marks 30 years since Tom Waits released The Black Rider. Originally released in 1993 on Island Records, The Black Rider is Tom Waits’ 12^th studio album. The Black Rider is a musical comedy/horror collaboration between artists: Robert Wilson (director/designer) writer/Beat guru, William S. Burroughs (text) and Tom Waits and Kathleen Brennan (music). Not a cast album, this Island Records release is Tom’s interpretation and performance of the songs he had originally created for the stage production of The Black Rider. The music is a Waitsian concoction of pop, vaudeville, rock, cabaret and blues – a brew that is strangely familiar yet absolutely fresh.

The unlikely source material is rooted in German Romantic literature and the Weber opera, “Der Freischutz” (although Waits’ music does not quote from the Weber score), The story concerns a marksman who makes a pact with the devil (in the guise of a shadowy horseman) in order to win a shooting contest and hence claim his bride.

A cross between the musical, Cabaret and The Threepenny Opera, The Black Rider is brimming with the sort of inspired originality that can only flow from the mind of Tom Waits.

The album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. The Black Rider includes tracks such as “November,” “Russian Dance” and “The Briar And The Rose.” Available as a CD digipack.

Reba McEntire will be releasing her companion album to her upcoming book-"Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots" which will be released on October 6th. All songs are stripped down/acoustic versions of some of her biggest hits and was produced by Grammy Winning producer, Dave Cobb. It will also include 3 new classic stripped down/acoustic songs that have never been released, and it will also include a brand-new song- "Seven Minutes in Heaven".

Goodnight, God Bless, I Love U, Delete. presents an enchanting blend of personal reflections and diverse ideas, offering a glimpse into the captivating creative journey of Chino Moreno and Shaun Lopez as ††† (Crosses). Throughout the album, they skillfully craft immersive soundscapes that evoke a profound sense of emotion and empathy, a testament to their close-knit collaboration and enduring friendship over decades. Moreno and Lopez embrace atmospheric electronic textures, adorned with both intricate and minimalistic arrangements, all amplified by Moreno’s mesmerizing vocals. The result is a tour de force which boasts features from EL-P and Robert Smith adding even more depth and richness to the music. The themes explored in Goodnight, God Bless, I Love U, Delete. oscillate between optimism and dark romanticism, showcasing the duo's ability to traverse contrasting emotions and eclectic musical styles delivering a truly magnificent body of work.

On his latest album as The Drums, New York-based indie pop artist Jonny Pierce plunges into the work of healing from childhood trauma and the long shadow it casts over adulthood. The sparkling, eponymous Jonny unfurls a love letter to a galaxy of younger selves, all hungry to be nourished, all rejoicing now that they finally get to belong. Playful, heartbreaking, raucous, and serene all in turn, Jonny embraces the mess of life in all its facets. It renders the magic that happens when you fall in love with yourself down to the marrow.

Soaring to alt-pop prestige on arrival, The Drums have released studio albums that deftly walk the line of aching melancholy and irresistible pop sensibilities, presented through a kaleidoscope of pastel guitars, reverb, modular synthe- sizers and drum machines. It’s a sound that’s wholly unique, and unmistakably The Drums.

The Drums’ music remains timeless, as evidenced by the recent explosion of their RIAA Gold-certified song Money, which first appeared on their breakout sophomore album Portamento, reaching #1 on the Alternative Global Shazam Chart and #2 on the TikTok Global Hashtag Chart.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by songwriting and production partners Emily Haines and Jimmy Shaw along with bandmates Joshua Winstead and Joules Scott Key is proof that you can amass an untouchable catalog without ever signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label Metric Music International and Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera.